Sources: wiki/H._R._Giger
Hans Rudolf "Ruedi" Giger (/ˈɡiːɡər/ ghee-gur; German: [ˈgiːgɐ]; 5 February 1940 – 12 May 2014) was a Swiss surrealist painter, sculptor and set designer.[1] He was part of the special effects team that won an Academy Award for Best Achievement in Visual Effects for their design work on the film Alien.[2][3] He was named to the Science Fiction and Fantasy Hall of Fame in 2013.[4][5]
Production Companies Deep Side Production Naked Dog
Directed by
Petr Luksan
Produced by
Ondrej Prusa ... producer
Music by
David N. Jahn
Film Editing by
Petr Luksan
Animation Department
Martin Hasek ... animator
Bohous Kral ... animator
Tomas Kral ... animator
Zbynek Krulich ... animator
Simon Kubec ... animator
Petr Luksan ... animator
Filip Novy ... animator
Michal Suchanek ... animator
Henry Wielgus ... animator
Early life
Giger was born in 1940 in Chur, capital city of Graubünden, the largest and easternmost Swiss canton. His father, a chemist, viewed art as a "breadless profession" and strongly encouraged him to enter pharmaceutics, Giger recalls. Yet he moved in 1962 to Zürich, where he studied Architecture andindustrial design at the School of Applied Arts until 1970.[6]
Career
Giger's style and thematic execution were influential. His design for the Alienwas inspired by his painting Necronom IV and earned him an Oscar in 1980. His books of paintings, particularly Necronomicon and Necronomicon II (1985) and the frequent appearance of his art in Omni magazine continued his rise to international prominence.[6] Giger is also well known for artwork on several music recording albums.
In 1998 Giger acquired the Château St. Germain in Gruyères, Switzerland, and it now houses the H.R. Giger Museum, a permanent repository of his work.[7]
Personal life
The artist lived and worked in Zürich with his second wife, Carmen Maria Scheifele Giger, who is the Director of the H.R. Giger Museum.[8]
Giger had a relationship with Swiss actress and muse Li Tobler until she committed suicide in 1975.[9] He married Mia Bonzanigo in 1979; they separated a year and a half later.
Death
On 12 May 2014, Giger died in a hospital in Zürich after having suffered injuries in a fall.[1][10][11][12]
Style
Giger started with small ink drawings before progressing to oil paintings. For most of his career, Giger had worked predominantly in airbrush, creating monochromatic canvasses depicting surreal, nightmarish dreamscapes. However, he then largely abandoned large airbrush works in favor of works with pastels, markers or ink.[6]
Giger's most distinctive stylistic innovation was that of a representation of human bodies and machines in a cold, interconnected relationship, he described as "biomechanical". His main influences were painters Dado,[13] Ernst Fuchs andSalvador Dalí. He met Salvador Dalí, to whom he was introduced by painter Robert Venosa. He was also a personal friend of Timothy Leary. Giger studied interior and industrial design at the School of Commercial Art in Zurich (from 1962 to 1965) and made his first paintings as a means of art therapy.[6]
Other works
In the 1960s and 1970s, Giger directed a number of films, including Swiss Made(1968), Tagtraum (1973), Giger's Necronomicon (1975) and Giger's Alien(1979).
Giger created furniture designs, particularly the Harkonnen Capo Chair for a movie of the novel Dune that was to be directed byAlejandro Jodorowsky. Many years later,David Lynch directed the film, using only rough concepts by Giger. Giger had wished to work with Lynch,[14] as he stated in one of his books that Lynch's film Eraserhead was closer than even Giger's own films to realizing his vision.[6]
Giger applied his biomechanical style to interior design. One "Giger Bar" sprang up in Tokyo, but the realization of his designs were a great disappointment to the artist, since the Japanese organization behind the venture did not wait for his final designs, but decided to move ahead with nothing more than Giger's rough preliminary sketches. For that reason, Giger disowned the Tokyo Giger Bar and never set foot inside. Within a few years, the establishment was out of business.[15] The two Giger Bars in his native Switzerland (in Gruyères and Chur), however, were built under Giger's close personal supervision and reflect his original concepts for them accurately. At The Limelight in Manhattan, Giger's artwork was licensed to decorate the VIP room, the uppermost chapel of the landmarked church, but it was never intended to be a permanent installation and bore no similarity to the real Giger Bars in Switzerland. The arrangement was terminated after two years when the Limelight closed its doors.[16] As of 2009 only the two authentic Swiss Giger Bars remain.[citation needed]
Giger's art has greatly influenced tattooists and fetishists worldwide. Under a licensing deal Ibanez guitars released an H. R. Giger signature series: the Ibanez ICHRG2, an Ibanez Iceman, features "NY City VI", the Ibanez RGTHRG1 has "NY City XI" printed on it, the S Series SHRG1Z has a metal-coated engraving of "Biomechanical Matrix" on it, and a 4-string SRX bass, SRXHRG1, has "N.Y. City X" on it.[6]
Giger is often referred to in popular culture, especially in science fiction and cyberpunk. William Gibson (who wrote an early script for Alien 3) seems particularly fascinated: A minor character in Virtual Light, Lowell, is described as having New York XXIV tattooed across his back, and in Idoru a secondary character, Yamazaki, describes the buildings of nanotech Japan as Giger-esque.
Films
- Dune (designs for unproduced Alejandro Jodorowsky adaptation of the Frank Herbert novel; the movie Dune was later made in an adaptation by David Lynch.)[17]
- Alien (designed, among other things, the Alien creature, "The Derelict" and the "Space Jockey")[18]
- Aliens (credited for the creation of the creature only)
- Alien 3 (designed the dog-like Alien bodyshape, plus a number of unused concepts, many mentioned on the special features disc of Alien 3, despite not credited at the generic of the movie theater version)
- Alien: Resurrection (credited for the creation of the creature only)
- Poltergeist II: The Other Side
- Killer Condom
- Species (designed Sil, and the Ghost Train in a dream sequence)
- Batman Forever (designed radically different envisioning of the Batmobile; design was not used in the film)[19]
- Future-Kill (designed artwork for the movie poster)
- Tokyo: The Last Megalopolis (creature designs)[20]
- Prometheus (the film includes "The Derelict" spacecraft and the "Space Jockey" designs from the first Alien film, as well as a "Temple" design from the failed Jodorowsky Dune project and original extraterrestrial murals created exclusively forPrometheus, based in conceptual art from Alien. Unlike Alien: Resurrection, the Prometheus film credited H. R. Giger with the original designs).[21]
