Aya Hirano - Bouken desho desho - [The Disappearance of Haruhi Suzumiya - Movie Opening] - [April 26, 2006]

Sources: wiki/List_of_Haruhi_Suzumiya_albums, wiki/Aya_Hirano

"Bōken Desho Desho?" (冒険でしょでしょ？ Bōken Desho Desho?, lit. "It's an adventure, right? Right?") is the opening theme to the Japanese anime The Melancholy of Haruhi Suzumiya, as well as the movie, The Disappearance of Haruhi Suzumiya. It ranked #10 in CD sales on amazon.co.jp when the single was released.^[1]

• Oricon Weekly Rank Peak: #10
• Weeks in Chart: 28 weeks
• Sales: 63,371
• 2006 End of Year Chart Rank: #141

Track listing

1. "Bōken Desho Desho?" (冒険でしょでしょ？) – 4:18
   • Vocals: Aya Hirano (Haruhi Suzumiya)
   • Lyrics: Aki Hata
   • Music: Akiko Tomita
   • Arrangement: Junpei Fujita
2. "Kaze Yomi Ribbon" (風読みリボン lit.The Ribbon For Reading Wind ) – 3:47
3. "Bōken Desho Desho?" (off vocal) (冒険でしょでしょ？) – 4:18
4. "Kaze Yomi Ribbon" (off vocal) (風読みリボン ) – 3:47

Aya Hirano (平野 綾 Hirano Aya, born October 8, 1987) from Nagoya, Aichi Prefecture, Japan, is a Japanese voice actress and J-pop singer who has had roles in several anime, visual novels, and TV commercials in Japan.^[1][2] She was contracted to Space Craft Produce, a branch of the Space Craft Group, for her voice acting career,^[3] and for her singing career, she was signed underLantis.^[4] She left both Space Craft and Lantis in 2011. Hirano moved to the voice acting agency Grick in August 2011, and into Universal Sigma in 2012.^[5]

Hirano spent a few of her very early years of life in America before returning to Japan.^[6] In 1998, she joined the Tokyo Child Theatrical Group division of the Space Craft Group company. Eventually, she began to appear in commercials and got her first role as a voice actress in Angel Tales.^[7] From 2002 to 2003, she was a member of the band SpringS.^[8]

After graduating from high school, she began seriously pursuing her voice acting and solo singing career. Her big break came in 2006, when she was cast as the voice of Haruhi Suzumiya, the title character of the anime series The Melancholy of Haruhi Suzumiya. The series' public success has greatly enhanced her popularity and career in Japan. Her CD singleBōken Desho Desho? containing the opening song of the show sold out in Japan the very day it was released. This success was followed by her voicing two lead characters in anime based on popular manga; Reira in Nana and Misa Amane inDeath Note. Her popularity was confirmed at the first Seiyu Awards, where she won "Best Newcomer (female)", for her role as Haruhi Suzumiya;^[9] the same role also won her a nomination as "Best Main Character (female)". At the same awards, she was also nominated for "Best Supporting Character (female)", and earned two nominations for "Best Single" (One of which is a solo, Bōken Desho Desho?; the other was a group nomination for the single Hare Hare Yukai).^[9] In 2008, she won the "Best Main Character (female)" award at the second Seiyu Awards.^[10]

She performed at the "Animelo Summer Live" concerts between 2006 and 2008, as well as the Suzumiya Haruhi no Gekisōconcert on March 18, 2007. Hirano was a guest at Anime Expo 2007, along with other cast members from The Melancholy of Haruhi Suzumiya, Minori Chihara and Yūko Gotō.^[11] In 2007, she continued to enjoy great success in her career, landing the role of Konata Izumi in the anime version of Lucky Star and launching three separate singles back-to-back monthly at year's end.

In November 2010, Hirano posted a message on her Twitter account that she has had a pituitary gland tumor since junior high school. While not malignant, the tumor exerts pressure on certain motor functions, resulting in temporary memory loss, loss of vision and slurring of speech. She decided against elective surgery because the surgery would alter her nasal cavity and permanently modify her voice.^[12] To facilitate her care, she announced in April 2011 that she had been prohibited from taking on new voice acting roles in anime since some time the previous year. She still continued voicing characters for anime that received additional seasons or extended runs.^[13] In May 2011, Hirano announced via Twitter that she was no longer performing music for Lantis and has discontinued her music career until further notice.^[14] On August 2, 2011, Japanese magazine Bubka confirmed that Hirano was dismissed by Lantis due to a sex scandal involving her sleeping with several band members.^[15] Citing a need for a new agency that was more ideal with her career wishes, Hirano announced on August 12, 2011 that she left Space Craft Entertainment.^[16] On August 21, Hirano moved to the voice acting agency Grick.^[17] Days later, on August 27, Hirano posted a message on her Twitter account, confirming that she has resumed new voice acting roles in anime.^[18]

Hirano returned to music in 2012 and was signed to the record label Universal Sigma. Her first release on the label was the mini album Fragments on May 23, 2012.^[19]

Party 7 Intro - [Takeshi Koike] - [2000]

"Party 7" is a japanese cult film directed by Katsuhito Ishii.

The title sequence is directed by Takeshi Koike.

Credit sequence by Peter Chung (dance scene).

Source: wiki/Takeshi_Koike

Takeshi Koike (小池健 Koike Takeshi) (born January 26, 1968) is a Japanese studio animator, illustrator and film director.

Something of a protégée of Yoshiaki Kawajiri,^[1] he was also influenced by Yoshinori Kanada,^[2] Frank Miller,^[3][4] Mike Mignola,^[3] and Katsuhito Ishii.^[1] He went straight from a high school education to beginning his career atMadhouse as an in-betweener on works directed by Kawajiri after being interviewed by him.^[5] His first professional work as director is the title sequence of the 2000 film Party 7; while his first feature film is Redline, which premiered in 2009 and was released in 2010. He served as character designer and animation director for 2012's Lupin the Third: The Woman Called Fujiko Mine,^[6] and directed a film continuation called Lupin the IIIrd: Daisuke Jigen's Gravestone for 2014.^[7] Work outside of animation includes the artwork for the 2004 Dreams Come True single "Yasashii Kiss o Shite".^[8]

Kamui the Ninja (忍風カムイ外伝 Ninpū Kamui Gaiden) - [1969]

Sources: wiki/Kamui_the_Ninja, animenewsnetwork.com

Kamui the Ninja: Stories Other Than the Legend (忍風カムイ外伝 Ninpū Kamui Gaiden) is a shōnen anime produced by Tele-Cartoon Japan in 1969. It was broadcast in Japan from 6 April 1969 to 28 September 1969 by Fuji TV. Kamui the Ninja had 26 episodes with a running time of 22 minutes each one. The series was based on the manga The Legend of Kamui by Sanpei Shirato.

Plot

Kamui is a ninja from the Edo period who has decided to leave his clan. After doing so he is pursued relentlessly by the members of his former clan; who consider him to be a traitor and therefore wish to kill him. Kamui then wanders around Japan to escape from them by using his intelligence and great abilities to survive. In the course of the series Kamui begins to suffer from paranoia because of his status as a persecuted man. Kamui then started to believe that everybody wished to murder him and became distrusting of everyone he came across.

Related anime:
    Kamui Gaiden: Tsukihigai no Maki (movie) (compilation)

Alternative title:

Kamui the Ninja: Stories Other Than the Legend

Kamui, El Ninja Desertor (Spanish)

L'invincibile Ninja Kamui (Italian)

Las aventuras de Kamui , el ninja desertor (Spanish)

忍風カムイ外伝 (Japanese)

Genres: action, adventure

Themes: historical

After working his way up from the oppressed peasant class, the rogue ninja Kamui must struggle to free himself from the iron fist of his own clan. He travels through all the country running from ruthless killers who have traveled to the ends of the Earth to destroy him.

Running time: 22 minutes per episode

Number of episodes: 26

Vintage: 1969-04-06 to 1969-09-28

Opening Theme:

"Shinobi no Theme (Instrumental)" (忍びのテーマ) by Tatsuya Jo

Ending Theme:

"Shinobi no Theme" (忍びのテーマ) by Hiroshi Mizuhara

Insert song:

"Shiroi Tsubame" (白いつばめ) by Duke Aces

Chief Director: Yonehiko Watanabe

Script: Junji Tashiro

Music: Ryōichi Mizutani

Original creator: Sanpei Shirato (manga)

Character Design: Shuichi Seki

Art Director: Toshihiro Ōsumi

Chief animator: Tsuneo Komuro

In-Between Animation:

Hisaei Nanba (eps 1, 16)

Joji Fukuda (eps 11, 23)

Setsuo Keuchi (8 episodes)

Toshitaka Tsunoda (8 episodes)

Yoshiyuki Kumao (ep 1)

Yukio Ebisawa (eps 9, 26)

Animation: Tele-Cartoon Japan

Broadcaster: Fuji TV

Production: Akame Productions

Jungle Taitei (ジャングル大帝 Janguru Taitei) - opening and ending theme - [Osamu Tezuka, 1965]

Source: wiki/Kimba_the_White_Lion

Jungle Emperor (ジャングル大帝 Janguru Taitei) is a Japanese Shōnen manga series created by Osamu Tezuka which was serialized in the Manga Shōnen magazine from November 1950 to April 1954. An anime based on the manga was created by Mushi Production and was broadcast on Fuji Television from 1965 to 1966. It was the first color animated television series created inJapan.^[1] The later series was produced by Tezuka Productions.^[2]

The anime series has enjoyed popularity worldwide—including in the United States, Australia, Europe (where it has been translated into several languages such as French, Italian, Catalan, Spanish, German, Dutch etc.) and the Middle East.

A new TV special premiered September 5, 2009 on Fuji TV. Produced in commemoration of Fuji TV's 50th anniversary, it was directed by Gorō Taniguchi, written by noted novelist and drama writer Osamu Suzuki, and featuring character designs from noted illustrator Yoshitaka Amano.

Plot

In Africa during the mid-20th century, as mankind encroaches, the white lion Panja (Caesar in the English dub) gives the jungle's wild animals a safe haven. However, he angers nearby villagers by stealing their cattle and their food to feed the jungle carnivores. (In the English dub he merely frees the cattle.) A professional hunter, Ham Egg (Viper Snakely in the English dub), is called in to stop these raids. He avoids directly attacking Panja. Instead, he records the sounds of Panja and uses them to trap his mate, Eliza, who then becomes bait in a trap for Panja. Panja is killed for his hide, and the pregnant Eliza is put on a ship, destined for a zoo. Leo (Kimba in the English dub) is born on the boat. Eliza teaches him his father's ideals. As a huge tropical storm nears, she urges her cub out through the bars of her cage. The storm wrecks the boat, and he flounders in the ocean. The fish help him learn to swim. As he begins to despair, the stars in the sky form the face of his mother, who encourages him. Guided by butterflies, he makes it to land. Leo lands far from his ancestral home and is found and cared for by some people. He learns the advantages of human culture, and decides that when he returns to his wild home he will bring culture to the jungle and stand for peace like his father. The show follows Leo's life after he returns to the wild, still a young cub, and how he learns and grows in the next year. Leo soon learns that only communication and mutual understanding between animals and humans will bring true peace.

The remake of this was done in 2009. Earth, sometime in the 21st century. Because of non-stop environmental destruction, the United Nations commissions a private company, "Eternal Earth", to create an artificial jungle, to be a nature preserve and to protect animals. All wild animals are forced to live in it. The animals that live in this "neo-jungle" have an easy life. Leo, son of Panja, is born in this artificial world. Because of the unrealistic nature of the neo-jungle, Leo lives his life like he hasn't a care in the world. But Leo is ridiculed by the other animals; they call him a coward--he is not like his father, the great Jungle Emperor, but Leo vows that some day he will be. Kenichi, son of the Eternal Earth company's CEO, has no doubt about the great success of the neo-jungle. The story starts when Leo and Kenichi meet. Kenichi has the special ability to understand what the animals are saying. In the end the remake (in 2009) is nearly impossible to find or it ends up costing more than the original, by double or triple the price.

Broadcast history

The animated series was first broadcast in Japan, in October 1965.^[3] It was broadcast, with English-dubbed voices, in the United States and other English-speaking markets, beginning in September 1966. It was first commissioned for U.S. development by NBC Enterprises, and adapted by Fred Ladd, for syndicated broadcast.^[4]

HD 1080p Ghost in the Shell 2 - Innocence - [Opening] - [2004]

Source: wiki/Ghost_in_the_Shell_2:_Innocence

Ghost in the Shell 2: Innocence, known simply as Innocence (イノセンス Inosensu) in Japan, is a 2004 anime/computer-animated sci-fi sequel to the 1995 film Ghost in the Shell. Released in Japan on March 6, 2004, and in the US on September 17, 2004, Innocence had a production budget of approximately $20 million (approx. 2 billion yen).^[1] To raise the sum, Production I.Gstudio's president, Mitsuhisa Ishikawa, asked Studio Ghibli's president, Toshio Suzuki, to co-produce. It is the only Disney/Studio Ghibli film to be animated production by Production I.G.

With a story loosely connected to the manga by Shirow Masamune, the film was written and directed by Ghost in the Shell directorMamoru Oshii. The film was honored best sci-fi film at the 2004 Nihon SF Taisho Awards and was in competition at the 2004Cannes Film Festival. The soundtrack for the film was released under the name Innocence O.S.T. and a related novel called Innocence: After the Long Goodbye was released on February 29, 2004. This film makes many allusions and references to other famous works, such as The Future Eve. The foreign DVD release of the film faced many issue ranging from licensing to audio.

Plot

The story is loosely based on Ghost in the Shell manga chapter "Robot Rondo". Opening in 2032, Public Security Section 9cybernetic operative Batou is teamed with Togusa, an agent with very few cybernetic upgrades, following the events of Ghost in the Shell.

After a series of deaths due to malfunctioning gynoids — doll-like sex robots — Section 9 is asked to investigate. As the gynoids all malfunctioned without clear cause, the deaths are believed to be premeditated murders; Batou and Togusa are sent to investigate possible terrorist or political motives. Additionally, the most recent gynoid's remains show they all contained an illegal "ghost". Section 9 concludes human sentience is being artificially duplicated onto the dolls illegally, making the robots more lifelike, and possibly acting as a motive in the murders.

Called to a homicide scene, Ishikawa explains the victim is Jack Walkson, a consignment officer at gynoid company LOCUS SOLUS, who may have been killed by the Yakuza. A previous Yakuza boss was recently killed by a gynoid, so Ishikawa concludes Walkson was held responsible and killed in an act of revenge. Batou and Togusa enter a Yakuza bar to question the current boss, only to be threatened by the bar occupants. Batou opens fire, killing and wounding numerous gang members, including the cyborg that murdered Walkson. The current boss then admits his predecessor was somehow involved in LOCUS SOLUS, but insists he doesn't know how.

Entering a store on his way home, Batou is then seemingly warned by Major and shot in the arm by an unseen assailant. Caught in a firefight, Batou nearly kills the store owner in confusion, but is subdued when Ishikawa appears. Having his damaged arm replaced, Ishikawa informs Batou his E-brain was hacked, causing him to shoot himself and attack the others. Ishikawa explains that Batou was hacked to try and cause further scandal following his Yakuza assault in an attempt to stop the Section 9 investigation.

Batou and Togusa then head for the mansion of Kim, a soldier-turned-hacker with an obsession with dolls. Seemingly dead, Kim soon reveals he "lives" inside the shell of a human-sized marionette, and discusses philosophy with his visitors. Kim admits ties to LOCUS SOLUS, divulging that the company has secret headquarters in international waters. Warned again by the Major, Batou realizes that Kim has secretly hacked into his and Togusa's e-brains, and is currently trapping them in a false reality. Resetting Togusa's brain, Batou subdues Kim, noting he knows Kim hacked his brain in the store.

Boarding the LOCUS SOLUS headquarters ship, Batou infiltrates it while Togusa hacks its security systems using an unaware Kim as a proxy. Becoming aware of Batou, the ship's security AIs retaliate by fail-deadly means; they cause gynoids to attack everyone aboard indiscriminately, and use counter-hacking to stop Togusa, only to kill Kim in the process. As Batou fights to the ship's center, the Major then appears by controlling a gynoid remotely, helping Batou fight the gynoids and hack the security AIs.

Taking control of the ship, the Major then reveals to Batou the truth about the gynoids. Hiring the Yakuza to traffick young girls, LOCUS SOLUS duplicated their consciousnesses into the gynoids, giving them human "ghosts" to make them more realistic. Batou rescues a young girl being duplicated, and she explains Jack Walkson, learning the truth about LOCUS SOLUS, promised to save the girls by tampering with the ghosting process; this caused the gynoids to murder their owners, allowing Walkson to attract police attention and indirectly kill the Yakuza boss. Having solved the case, Batou thanks the Major, and she notes that she'll always be with him, before disconnecting from the gynoid.