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Showing posts with label stop motion animation. Show all posts
Showing posts with label stop motion animation. Show all posts

Thursday, 21 May 2015

Lego - Adventure in the City (court-métrage promo de Rogier Wieland) - [2015]


Source: catsuka.com/news

Rogier Wieland  a réalisé ce joli court-métrage promo Lego - Adventure in the City pour le compte de Lego China, en utilisant les bonnes vieilles briques et tout son talent en stop-motion.



The making-of




This is a short stop motion animated story that we made for Lego China.


Written and directed by:
Rogier Wieland

Client:
Lego China
Agency:
AKQA ,Shanghai
Production house:
Black and Cameron, Shanghai
MADE BY
Animators: 
Rogier Wieland
Danièle Knirim
Yoana Buzova
Suus Hessling
Raymon Wittenberg
Iris van den Akker
Producer:
Danièle Knirim
Voice over talent & boy in snake suit:
Thomas Boyd
Art direction & design:
Rogier Wieland
Set builders:
Matthias Hurtl
Pieter-Henk van Wijk
Special thanks to:
Nadine Bradshaw
Jasper van Blokland
Jesse Hendriks
Jean Villanueva
Mickey Yang

Sunday, 5 October 2014

The Boxtrolls - [Graham Annable and Anthony Stacchi] - [Laika, 2014]

The Boxtrolls is a 2014 American 3D stop motion animated fantasy-comedy film based on the novel Here Be Monsters! by Alan Snow. Produced by Laika, it was directed by Graham Annable and Anthony StacchiThe Boxtrolls follows the adventures of Eggs, a human boy raised by trash-collecting trolls, as he attempts to save them from Archibald Snatcher, a pest exterminator. The film stars Isaac Hempstead-WrightBen KingsleyElle FanningToni ColletteJared HarrisSimon PeggNick FrostRichard Ayoade and Tracy Morgan.[5] It was released on September 26, 2014, to generally positive reviews.[6]



Plot

In the European town of Cheesebridge, rumors abound that subterranean trolls known as Boxtrolls kidnap and kill young children. Pest exterminator Archibald Snatcher strikes a deal with Lord Portley-Rind, offering to exterminate every Boxtroll in exchange for membership in the White Hats, a group of cheese-loving aristocrats led by Lord Portley-Rind that serves as the town council.
In actuality, the Boxtrolls prove to be peaceful creatures, wearing cardboard boxes, who emerge from underground at night to scavenge through the trash for items they can use to make inventions. A baby boy named Eggs lives among them, cared for by a Boxtroll named Fish. As Eggs grows up over a period of ten years, he becomes dismayed over the disappearing Boxtrolls due to Snatcher's capture of them.
Lord Portley-Rind’s neglected daughter Winnie grows frustrated at being ignored and throws his white hat out a window. Leaving the house to retrieve it, she sees Eggs rummaging through trash with two Boxtrolls. Snatcher and his men chase the trio and capture Fish. Devastated, Eggs puts together a disguise and sneaks back up to the surface to find him. Eggs emerges in the midst of an annual fair to commemorate the disappearance of the Trubshaw Baby eleven years earlier – presumably kidnapped and killed by Boxtrolls. Disgusted by the town’s inaccurate portrayal of the creatures, he follows Winnie away from the fair. She recognizes him as the boy she saw the previous night and directs him to Snatcher’s headquarters, an abandoned factory.
Sneaking into the factory, Eggs finds Fish locked in a cage and frees him. Meanwhile, Snatcher holds a cheese tasting with his henchmen, Mr. Gristle, Mr. Trout, and Mr. Pickles, as preparation for becoming a White Hat but, seemingly having no sense of irony,suffers a severe allergic reaction that causes grotesque swelling. Eggs and Fish try to sneak out of the factory only to be caught by Mr. Gristle. Snatcher recognizes Eggs as the Trubshaw Baby and reveals that all the captured Boxtrolls are still alive and building a machine. Winnie overhears this exchange, having followed Eggs to the factory. They and Fish escape from Snatcher and take shelter in the Boxtrolls’ underground cavern.
Winnie is surprised to learn the truth about the Boxtrolls, and convinces Eggs that he is not one of them. His father had given him to them as a baby in order to keep him safe from Snatcher. Winnie agrees to help Eggs tell Portley-Rind the truth. At a ball that night, held to commemorate the purchase of a giant cheese wheel, Eggs tries to confront Portley-Rind. He narrowly avoids capture by a disguised Snatcher, but inadvertently knocks the cheese down the stairs so that it rolls into a river. Eggs announces himself to the crowd as the Trubshaw Baby, but no one believes him and Lord Portley-Rind throws him out in a fury over losing his beloved cheese.
Eggs returns to the cavern and tries to persuade the remaining Boxtrolls that they need to flee for their own safety. Snatcher digs into the cavern using his machine, captures the entire group, and takes them back to the factory. Eggs, imprisoned in a cage in the basement, awakens to find his real father, Herbert Trubshaw - captured years ago by Snatcher and held prisoner ever since - hanging upside down next to him. He sees the Boxtrolls stacked in a crusher and begs them to run, but the crusher activates and flattens all the boxes.
Snatcher drives his machine to Lord Portley-Rind’s house, shows him the flattened boxes as proof of the Boxtrolls’ deaths, and demands Portley-Rind’s white hat once he kills the last one (actually Eggs dressed up as a Boxtroll). Winnie persuades Mr. Trout and Mr. Pickles, who initially believed that their actions were justified due to the infamous reputation of the Boxtrolls, to redeem themselves by not killing Eggs. The Boxtrolls suddenly arrive with Herbert, having sneaked out of their boxes just before the crusher activated, and free Eggs. An infuriated Snatcher tries to take Portley-Rind’s hat by force, but Eggs, Herbert, and the Boxtrolls disable the machine. Eggs and Snatcher are thrown clear and land on the giant cheese wheel, freshly fished out of the river. Snatcher swells into a hideous giant and forces Lord Portley-Rind to give up his hat in exchange for Winnie's safety. Snatcher triumphantly enters the cheese tasting room, but unconcerned about his allergy, explodes after taking one bite of a rare cheese.
The townspeople no longer see the Boxtrolls as monsters and come to live peacefully with them. Winnie tells the tale of Snatcher's end to a crowd of people, while Eggs and Fish drive off in one of Herbert’s contraptions.

Italian:
Boxtrolls - Le scatole magiche (The Boxtrolls) è un film d'animazione del 2014 realizzato in stop-motion, diretto da Graham Annable e Anthony Stacchi.
Il film si basa sul romanzo illustrato Arrivano i mostri! (Here Be Monsters!) di Alan Snow.

Trama

Boxtrolls" si svolge a Cheesebridge, un’elegante città dell’epoca vittoriana ossessionata dalla ricchezza, dalle classi e da puzzolenti formaggi. Sotto le sue strade dimorano i Boxtrolls, dei troll immondi che strisciano fuori dalle fogne di notte per rubare ciò che gli abitanti hanno di più caro: i loro figli e i loro formaggi. Almeno, questo è quello che i residenti hanno sempre creduto. In verità, i Boxtrolls sono una comunità sotterranea di eccentrici, stravaganti e adorabili omini che indossano scatole di cartone riciclato come se fossero gusci di tartaruga. Hanno anche allevato un ragazzo orfano umano fin dall’infanzia come uno di loro. Quando i Boxtrolls saranno minacciati dallo sterminatore Archibald Arraffa (Archibald Snatcher, voce di Ben Kingsley), si faranno aiutare da un’avventurosa ricca ragazza Winnie (Fanning) per aiutare a collegare due mondi.”

Thursday, 25 September 2014

Aubade - [Pierre BOURRIGAULT] - [2008]



A character finds an injured bird and looks for somewhere to "repair" it.


Directed by: Pierre BOURRIGAULT

Animation: Pierre BOURRIGAULT, Samy GUYON BESSAC
Camera: Roberta TEMPORIN
Music and sound: Lorenzo TOMIO (http://www.experiment.it)
Editing and Compositing: Umberto BARISON



THE BEST ANIMATION PRIZE, Lago Film Festival 2008



official selection:

- Festival international du film d'animation, Annecy 2008
- Istanbul Animation Festival 2008
- Animateka, Lubjiana 2008
- Future Film Festival, Bologna 2009
- Castelli animati, Roma 2008
- Piccolo Festival dell'animazione, Udine 2008



In strictly visual terms Aubade (2007) is a dark movie. Thematically however it is optimistic in a whimsical kind of way. Man finds bird dying, deceased, dead. Definitely dead. In my experience, limited admittedly, birds lying on their backs with claws in the air, tweeting weakly, die. Not in the hands of Pierre Bourrigault. Man takes bird to light bulb on stem and together they visit the desk of the woman with wings at the Animal Repair Works. Much whirring, flashing and a Heath Robinson rustic conveyor system that eventually leads to a branch of a tree that sprouts leaves as the creature passes by, to miraculously recover and soar like a ...... bird. Made in 2D and stop motion, it is entirely shot in silhouette against a backdrop of perpetual dusk, has a set lit by low voltage lighting and characters that maybe are humanoid but I'm betting no money on it. The movie sort of unfolds before our eyes. I use a word like whimsical; in fact the short is played straight, dead straight and I enjoyed it, particularly given a pleasant soundtrack by the young Italian classical guitarist and composer, Lorenzo Tomio. After being educated in fashion and design in La Rochelle, Paris, Pierre worked for over twenty years in the fashion and advertising industry, with major clients such as Benetton and Diesel. His website is ultra cool - scroll sideways and click on the various illustrations and fashion items that, were it not for the free fall of the British pound, I would want more of. I know of no other animation from the director.

Saturday, 23 August 2014

Adagio - Garri Bardin - Short [2000]


[...] Adagio is legendary animator Garri Bardin‘s 10-minute stop motion masterpiece in origami, set to Remo Giazzotto's Adagio in G minor. The events of this stark fable about ignorant intolerance among shadowy bird-creatures unfold [huhh huhh!] against a minimal backdrop in a variety of expert shots. The famous string score [used in the 1962 adaptation of Kafka's The Trial, and 1998 film Show Me Love just to name a couple] imparts a melancholy tension throughout [...].
[...]Adagio is loosely based on one short stories, Maxim Gorki’s legend of Danko and his burning heart. A part translation, part summary by E.J. Dillon, under the cut [...].


[...] Many thousands of years ago in a land of the sunrise beyond the sea, among a despised people who had been driven by a hostile race to the forests from the fertile steppe, lived the hero of this story, Danko. From the swamps and marshes of this dense virgin forest rose mephitic vapors which decimated the persecuted clan. These miserable fugitives, finding no outlet from their living sepulcher, finally decided in despair to seek out their foes and give themselves up to slavery or death .
At the critical moment the handsome young Danko comes forward and, like David among the Hebrews, boldly offers to save his people from the ruin with which they are threatened, to lead them onward to light and life [...].

                                                                                                 FROM: http://coilhouse.net/2009/01/adagio/




Sources:



Tratto da: "Adagio di Garri Bardin", di Sofia Rondelli
[...] il racconto, in Adagio, è pressochè inesistente, o meglio si rivela elemento subalterno al punto nevralgico del messaggio che raggiunge la sua limpidità fin dai primi minuti centrali dell'animazione. Credenti, agnostici, atei e scettici: non sarà la religione o il pensiero d'appartenenza ad alterare la purezza e il vigore lirico che anima ogni singolo fotogramma. Eppure ci chiediamo: dove sta la grandezza di questa breve pellicola? Nel suo messaggio? Nell'utilizzo minimale della scenografia e dei suoi personaggi costruiti ad origami? Oppure nella parabola filosofica che, invano, ridesta le folle ignoranti? Possono essere metodi di osservazione più che giusti e basterebbero certamente a ritenere questo corto una perla da custodire quasi gelosamente. Ma Garri Bardin si spinge oltre: per mezzo di una tecnica fondamentalmente semplice (lo stop-motion), quanto relativamente complessa per i tempi necessari che essa richiede, il cineasta russo trasla il tema della diversità, dell'incomprensione e della paura ad un pensiero di carattere universale. Al di là di tutte le osservazioni in merito, la superiorità di questo corto risiede appunto nella sua “universalità”, nel senso più profondo delle sue valenze simboliche, una crasi mistica tra ciò che è spiegabile, razionalmente compreso, e l'incredulità di fronte al miracolo. La sintesi encomiabile raggiunta da Bardin, rivela allo stesso tempo la sua naturale complessità. Come quando ci accade di leggere un haiku e lo sforzo conseguente di trovare in essa la totalità del mondo, il tutto dentro una goccia come l'1+1=1 che troviamo in Nostalghia di Tarkovskij, oppure la goccia che riflette il Tutto in una scena de Il diamante bianco, un documentario diHerzog del 2004 [...].

About Remo Giazzotto's Adagio  ...


Remo Giazotto (September 4, 1910, Rome – August 26, 1998, Pisa) was an Italian musicologist, music critic, and composer, mostly known through his systematic catalogue of the works of Tomaso Albinoni. He wrote biographies of Albinoni and other composers, including Vivaldi, the composer of the Four Seasons.
Giazotto served as a music critic (from 1932) and editor (1945–1949) of the Rivista musicale italiana and was appointed co-editor of the Nuova rivista musicale italiana in 1967. He was a professor of the history of music at the University of Florence (1957–69) and in 1962 was nominated[clarification needed] to the Accademia Nazionale di S. Cecilia.
In 1949 Giazotto became the director of the chamber music programs for RAI (Radio Audizioni Italiane) and in 1966 its director of the international programs organized through the European Broadcasting Union. He was also the president of RAI's auditioning committee and editor of its series of biographies on composers.
Giazotto is famous for his publication of a work called Adagio in G minor, which he claimed to have transcribed from a manuscript fragment of an Albinoni sonata that he had received from the Saxon State Library. He stated that he had arranged the work but not composed it. He subsequently revised this story, claiming it as his own original composition. The fragment has never appeared in public; Giazotto stated that it contained only the bass line, and the work was copyrighted by Giazotto.[1][2]

http://en.wikipedia.org/wiki/Remo_Giazotto 

Su "l'Adagio" di Remo Giazzotto ...


Giazotto è famoso soprattutto per il catalogo sistematico delle opere di Tomaso Albinoni e ancora di più, per aver recuperato il celeberrimo Adagio in sol minore.. Quest'ultimo, noto anche come Adagio di Albinoni, è una composizione musicale barocca che sarebbe stata scritta nel XVIII secolo, ma pubblicata soltanto nel 1958 da Remo Giazotto. Il musicologo dichiarò di essersi limitato a "ricostruire" l'Adagio sulla base di una serie di frammenti di Tomaso Albinoni che sarebbero stati ritrovati tra le macerie della biblioteca di Stato di Dresda – l'unica biblioteca a possedere partiture autografe albinoniane – in seguito al bombardamento della città avvenuto durante la Seconda guerra mondiale. I frammenti sarebbero stati parte di un movimento lento di sonata (o di concerto) in sol minore per archi e organo.In verità, a partire dal 1998, anno della morte di Remo Giazotto, l'Adagio si è rivelato una composizione interamente originale di quest'ultimo, giacché nessun frammento o registrazione è stato mai trovato in possesso della Biblioteca Nazionale Sassone.

Friday, 8 August 2014

RiRi - [Miyuki Hosotani] - (A independent short stop-motion animation film) JAPAN [2007]

A independent short stop-motion animation film with cut-out puppets with English subtitles. Riri is a little girl and she wanna seek "a genuine HAPPINESS" out, however she doesn't prefer working hard. Can she find it out? Incidentally, what is HAPPINESS? Do you have the exact answer...?? (c) 2007 Miyuki Hosotani *JAPAN




Kihachiro Kawamoto - The Demon [1972]




Japanese doll stop motion film
The Demon(鬼) - Kihachiro Kawamoto - 1972

English Caption (This is not correct caption perfectly. )

00:01 A long time ago, somewhere, hunter brothers are live with their old mother.
00:08 鬼(the demon)
01:00 ......And so old...... without hope, miserable life......
01:10 Mother, 
01:17 We're going to hunt a deer.
01:24 It's so dark night. Be careful. 
02:12 Older brother, I heard some sound.
02:22 It's a wind.
02:41 Older brother, there's some gleamed in the dark.
02:56 They are fireflies.
03:13 You take 'deer standby pose' on the upstair of tree. I'll take 'standby pose' under the tree.
03:38 Brother!
03:53 Louder-! I shot above point of sound.
03:58 Brother!
04:14 Are you hurt?
04:19 I'm Ok.
04:31 Demon's arm!
04:50 Ahh! This arm is......
04:54 Mother!
05:13 You!
06:06 ~ 06:36 Too old people of parents will change to be a demon. And the demon must be going to eat human's body even if it's a child body. 'How a scary something.' is told around public. ...from a long time ago ...