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Monday, 7 July 2014

Jin-Roh - Uomini e lupi (Italian) - [Hiroyuki Okiura]

Jin-Roh - Uomini e lupi (人狼 Jinrō, lett. "Uomo-lupo") è un film d'animazione giapponese del 1999, diretto dal regista Hiroyuki Okiura e basato sulla Kerberos saga di Mamoru Oshii.
L'edizione statunitense del film è intitolata Jin-Roh: The Wolf Brigade ("Jin-Roh: la brigata dei lupi").
La storia è ambientata in Giappone, negli anni sessanta di un universo storico alternativo, ed è centrata attorno a Kazuki Fuse, un membro dell'unità di polizia anti-terrorismo di élite dei Kerberos Panzer Cops, dotata di armamento protettivo pesante, detta protect gearstahlhelme equipaggiato con una maschera per l'ossigeno e la visione notturna, e di mitragliatrici tedesche MG 42. Addestrato a comportarsi come facesse parte di un branco di cani, da cui il nome Kerberos, Fuse è messo di fronte alla propria umanità quando manca di sparare contro una giovaneterrorista: la ragazza si uccide facendo esplodere una bomba dinanzi a Fuse. In seguito Fuse inizia una relazione destinata alla tragedia con Kai, che incontra mentre si reca sulla tomba della terrorista uccisasi.
Jin-Roh ospita parecchi riferimenti ai temi politici giapponesi degli anni sessanta e dell'inizio degli anni settanta. In questo periodo vi furono proteste studentesche condotte dalla sinistra principalmente, ma non esclusivamente, centrate sul Trattato di mutua cooperazione e sicurezza tra gli Stati Uniti e il Giappone. A questo movimento, che prese il nome di ANPO Hantai, parteciparono, oltre a Mamoru Oshii, anche altri due esponenti di rilievo dell'animazione giapponeseHayao Miyazaki e Isao Takahata.





Amazing Japan (EN-FR) - Full Movie - [大鳥居 STUDIO]

"Amazing Japan" (un Japon Extraordinaire):
Une aventure initiatique de Tokyo à Hiroshima en traversant la région du Kansai pour découvrir le Japon dans toute sa splendeur !
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A initiatic adventure from Tokyo to Hiroshima crossing the Kansai region to discover Japan in all it's splendor !

Details:
Documentary Fr - 29min
Format: 1080p Dolby Digital + (Panasonic HDC TM700)

http://www.facebook.com/daitorii.studio

Version FR complète ici :
http://www.youtube.com/watch?v=wL3Mkt...
http://www.youtube.com/watch?v=ng_9Ni...







Japan - A film by Momo Ushido [with English Subtitles]



Here is a list of the bits which might interest some viewers:
0.00-2.30 Arriving in Japan, Meiji Jingu 明治神宮
2.30-3.30 Shibuya, meeting Matt 渋谷、 マシューと待ち合わせ
3.30-5.50 Day in Shibuya 渋谷
5.50-11.15 Me and Matt visiting an Abandoned Love Hotel. We found an abandoned shop on the way. 廃墟
11.15-12.30 Going to my grandparents, Grandad doing calligraphy. 宮崎の家族と待ち合わせ
12.30-15.40 Hyottoko Matsuri (funny Japanese festival, typical) ひょっとこ祭り
17.40-20.00 Visiting a shrine inside a cave 神社
20.00-46.00 Lots of family clips: 家族のビデオ
-Cousins playing in a park いとこが公園で遊ぶ
-Aunts talking and singing おばちゃんが歌ってる
-Me and my cousin visiting his brother and bringing him home いとこを迎えに行く
-Going to a nearby river and swimming 川泳ぎ
46.25-48.00 Japanese Obon (sending away your ancestors spirits) お盆送り火
50.40-58.15 Typical Japanese 'Ohaka mawari'; visiting ancestors graves, and praying. Also video of Kurashiki, lovely Japanese old town. お墓周り、 倉敷
58.52-60.30 Making of Okonomiyaki おこのみやき
62.24-63.40 Walking around Central kyoto 京都
63.47-64.20 Making of Takoyaki たこやき
64-67 Pool and Karaoke カラオケとビリアード
67-75 Going to Tokyo, visiting second cousins, wii, cousin comes to visit, more wii. 東京え、はとこと待ち合わせ、Wii、いとこが遊びにくる、Wii。
74.40-77.00 Harajuku and Gotanda 原宿、五反田
78.50-81.30 Brass Band Concert ブラスバンド
82.00-83.30 Akihabara and Nihonterebi 秋葉原、日テレ
83.30-84.50 Graves of the famous 47 Ronin 47浪人お墓
88.30- Credits! Watch :D クレジット。

Japanese life and culture in 1963 日本の生活文化

A white collar worker returns home to his family. His income is US$ 2000 a year. Yet he seems comfortable of. His son goes to college. The roots of their life is embedded in the refined Japanese culture, so far removed from the complexities of the industrial boom that was about to explode.




Sunday, 6 July 2014

Control Bear's Miyazaki-Inspired "Wonder Garden" short

Hayao Miyazaki may be retiring, but his influence will be felt for years and decades to come. This beautiful promotional short, by Colorido Studio and directed by former Studio Ghibli animator Yojiro Arai (Up On Poppy Hill, Arriety) was created for Control Bear, a new store opening in Japan specializing in designer apparel and plush dolls. It has the Miyazaki touch all over it.




Produced by Spiral Cute Inc.
Executive Produced by graphis Inc.
Producer: Yoichi Kawakami
Supervisor: Nagatake Uehara
Director: Yojiro Arai
Music: TakaAki Nakahashi, jeux d'eau
Animation Production: Studio Colorido



Superflat First Love - by Takashi Murakami for Louis Vuitton

Full short film celebrating six years of collaboration between Murakami and Vuitton.





バース-BIRTH- [AMV] - (Based on "Birth" by Shinya Sadamitsu)

Nice theme's choice for this AMV that chooses to rely on the famous Shinya Sadamitsu's "Birth".
The anime is important because of Yoshinori Kanada's job, the famous animator who gave life to the revolutionary "Kanada Style" based on fast-paced action, amazing prospects, background's deformations and very personal and stunning characters, development of animations with constant "framing-changes" out of the "storyboard".

In "Birth," the character of Rasa, the female lead, is developed on the figure of the wife of Kanada.


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Bella scelta musicale per questo AMV che sceglie di basarsi sul celebre "Birth" di Shinya Sadamitsu.
L'anime riveste notevole importanza perché al progetto partecipò il grande Yoshinori Kanada, il celebre animatore che diede vita al rivoluzionario "Kanada Style" basato su frenetica azione, prospettive azzardate, deformazioni sceniche e dei personaggi, uno sviluppo dell'animazione molto personale e sbalorditivo con continui "cambi d'inquadratura", tenendosi spesso fuori dallo "Storyboard" degli autori.
In "Birth" il character di Rasa, la protagonista femminile, è sviluppato sulla figura della moglie di Kanada.





Takashi Murakami on Jellyfish Eyes, Nuclear Monsters, and Artistic Influences

Takashi Murakami's first live-action feature film, Jellyfish Eyes, has been ten years in the making. The Creators Project sits down with the legendary Japanese artist to discuss the filmmaking process, advances in CGI, and his overall artistic influences at his recent exhibition Arhat at Blum & Poe in Los Angeles. 




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"Jellyfish Eyes" 2013 - [Trailer] - Takashi Murakami

Takashi Murakami's feature-film debut is a loving homage to Japanese popular culture. When a young boy moves with his widowed mother to the Japanese countryside, he discovers that their apartment is inhabited by a strange creature—and that very little is what it appears to be in the sleepy town.
June 1 with Takashi Murakami in person! http://www.filmlinc.com/
Love film? Subscribe for more: http://youtube.com/filmlinc




Louis Vuitton Superflat Monogram - Takashi Murakami

This is the commercial for the Louis Vuitton flat monogram series. It's by the same guy who made the Kanye West Artwork on his album "Graduation".



Superflat World - Takashi Murakami

Project "Artist Impression" 2013 of Saxion University
made by Yarikata Studios




"Sakuga: The Animation of Anime" - Anime Central (Chicago) 2013

Sakuga pt.1 - Intro & Yutaka Nakamura: Grandmaster Battle Animator

Presenter Colin Groesbeck shows you a new way to appreciate the anime you watch.

This is the first part of "Sakuga: The Animation of Anime", presented at Anime Central (Chicago) 2013, a two-hour extended edition of our 2011 presentation. I will gradually upload the recordings as I produce them.



Sakuga pt.2 - Anime Production in a Nutshell

Presenter Sean Bires (that's me!) shows you how anime is made. For more detailed information on the topic, read:http://www.pelleas.net/aniTOP/index.p...




Sakuga pt.3 - Japanese Animation History, from Mori to Ōtsuka to Kanada

Turn the [CC] on. "Believe it or not, anime used to look something like Disney." Presenter Neil Clingerman lays out how Japanese animation got to look (and move) like anime.


Additional reading about the Tiger Mask in animation history:http://www.pelleas.net/aniTOP/index.p...



Sakuga pt.4 - Hiroyuki Imaishi: Kanada-School to the Max

Presenter Colin Groesbeck covers Hiroyuki Imaishi, a Japanese animator who takes "limited animation" stylization to its furthest heights.



Sakuga pt.5 - Ichirō Itano and the Missile Circus Revolution

Presenter Sean Bires (that's me!) covers Ichirō Itano and his influence on anime battles.

Apparently in some circles it's called "missile spam" or "Macross missile massacre", but rest assured that "Itano Circus" is its true name.



Sakuga pt.6 - Shinya Ohira's Surrealist Animation

Presenter Neil Clingerman covers Shinya Ohira & Shinji Hashimoto, two influential surrealist animators.





Sakuga pt.7 - Mitsuo Iso and New Realism

Presenter Sean Bires (that's me!) talks about the highly influential Japanese animator Mitsuo Iso, the "flagbearer of new realism". Much of this segment is based on the writing of Anipages' Ben Ettinger. You should look up his articles & translated interviews on Mitsuo Iso, e.g. http://www.pelleas.net/aniTOP/index.p...



Sakuga pt.8 - Yoshimichi Kameda's Brushwork Style

Presenter Colin Groesbeck showcases the Kanada-school Bones animator, Yoshimichi Kameda.



Sakuga pt.9 - Hironori Tanaka: Surrealism for the Masses

Presenter Sean Bires discusses an animation powerhouse at a creative midpoint of those who came before him.



Sakuga pt.10 - Hiroyuki Okiura and the Anime Realists

Turn the subtitles on. Presenter Neil Clingerman covers the masters of cinematic realism.

We also wanted to show more of Okiura's effects animation (e.g. the chopper attack scene from Patlabor 2) but we cut it in the interest of time. We also decided it would be a bad idea to open the panel with his cut from Evangelion 3.33. As a director, Okiura's most recent film is the Ghibli-esque "A Letter to Momo", which is worth seeing for its absurdly precise character animation.



Sakuga pt.11 - You Yoshinari: Gainax & Trigger Superstar

Presenter Colin Groesbeck covers Little Witch Academia creator "Yoh" Yoshinari.

Yoshinari's Pixiv http://www.pixiv.net/member_illust.ph...



Sakuga pt.12 - Tetsuya Takeuchi and the One-Man Episode

Presenter Sean Bires (that's me!), in his fluffiest piece, covers Tetsuya Takeuchi. In addition to Honey & Clover 7, he also soloed both "Yuri Seijin Naoko-san" OVAs incl. all of its key staff positions; lots of wonderful animation there.

In addition to covering a full-solo episode, I also wanted to showcase someone who doesn't specialize in, you know, sick fights and explosive effects (though he has certainly done both). Sakuga comes in all forms, including lower-key character animation & comedy animation.




Sakuga pt.13 - Masaaki Yuasa's Super-Cray Anime


Presenter Neil Clingerman on Kick-Heart's Masaaki Yuasa, one of the zaniest and most under-appreciated anime creators. His varied, global influences (and the unusually international teams he assembles for his works) vitalize the sometimes too-insular anime industry. Though he is a prolific director, this is a look at Yuasa the animator.



Sakuga pt.14 - Redline's Takeshi Koike

Colin Groesbeck gives his take on Takeshi Koike.




Sakuga pt.15 - Kōji Morimoto's Cyberpunk City

MAJOR CORRECTION: Bobby's Girl scene was done by Takashi Nakamura. BahiJD (another sakuga animator worth looking up!) did some original research for us and contacted Morimoto himself to confirm.

Neil covers a classic animator & creator who defined Studio 4°C's golden age of shorts & music videos. Something worth taking a look at his Morimoto's artbook, "0range" --https://plus.google.com/+SeanBires/po...




Sakuga pt.16 - Why Animation Matters in Anime Storytelling

The conclusion in which I preach the sakuga gospel. Thanks for sticking with us through the whole presentation. The end scroller contains some titles & resources to check out.






Saturday, 5 July 2014

UGOKIE-KO-RI-NO-TATEHIKI [1933] - Ikuo Oishi

UGOKIE-KO-RI-NO-TATEHIKI(1933)
(Moving picture -Fox and Asian racoon's cheats each other)

Director: Ikuo Oishi

In the temple that became ruins, the fox that disguises as the samurai does the fight of magic with Asian racoon's parent and child.

It seems that it was influenced from the style of Max Fleischer's Cartoon.

http://www.n-eigashinsha.jp/




Momotarō: Umi no Shinpei (Momotaro's Divine Sea Warriors) - Mitsuyo Seo [1945]

First feature length animated film from Japan. Released in March 1945. Directed by Mitsuyo Seo.




Momotarō: Umi no Shinpei (桃太郎 海の神兵, lit. Momotarou: God Warriors of the Sea or Momotaro, Sacred Sailors) is the first Japanese feature-lengthanimated film. It was directed by Mitsuyo Seo, who was ordered to make apropaganda film for World War II by the Japanese Naval MinistryShochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on April 12, 1945. It is a sequel to Momotarō no Umiwashi, a 37-minute film released in 1943 by the same director. It is black and white.[4]
In English, the film is known as Momotaro's Divine Sea Warriors.
After completing naval training, a bear cub, a monkey, a pheasant, and a puppy say goodbye to their families. While they are preoccupied, the monkey's younger brother falls into a river while chasing the monkey's cap and is carried towards a waterfall. The dog and the monkey work together to save the child just before he is swept downstream. A time skip occurs and Japanese forces are seen clearing a forest and constructing an air base in a Pacific island with the help of the jungle animals. A plane lands in the airstrip and from inside emerges Momotaro, depicted as a General, together with the bear, monkey, dog and pheasant, who by this point have became high-ranking officials. The subsequent scenes show the jungle animals being taught the alphabet via singing, washing clothes, given military training, and loading weapons in warplanes. The animal residents of the island are shown as simple primitives who are star struck by the glamorous and advanced Japanese animals.
A narration of the story of how the island of Celebes was acquired by the Dutch East Indian Company follows and it is revealed that the Japanese are attempting to invade it. The monkey, dog and bear cub become parachute jumpers while the pheasant becomes a pilot. The paratroopers ambush a halftrack and hastily invade a British fort, causing the unprepared British soldiers to panic and flee. Momotaro, the monkey and the puppy are then shown negotiating with three British officials and after a brief argument, the British agree to surrender Celebes and the surrounding islands to Japanese rule in exchange for freedom. A brief epilogue shows children playing at parachuting onto continental America outlined on the ground. Plainly the United States is to be the target of their generation.
There are some musical scenes. Of note is The Song of AIUEO (アイウエオの歌 AIUEO no Uta), a scene where Japanese soldiers teach local animals how to speak.
The Naval Ministry previously showed Seo Fantasia, a 1940 Disney film. Inspired by this, Seo tried to give dreams to children, as well as to instill the hope for peace, just as he did in the prequel movie, Momotaro's Sea Eagles.
For a long time, the film was presumed to have been confiscated and burnt by the American occupation. However, a negative copy of the film was found in Shochiku's Ofuna warehouse in 1983 and was re-released in 1984. A reproduced movie was later screened and the VHS package is now available in Japan.

The Song of AIUEO (アイウエオの歌 AIUEO no Uta) is famous for being given a homage in the series Kimba the White Lion (ジャングル大帝 Janguru Taitei) by Osamu Tezuka. Tezuka had seen the film in April 1945. He later said that he was moved to tears by the movie's hints of dreams and hopes, hidden under the appearance of war propaganda.


  • Production: Shochiku Moving Picture Laboratory
  • Auspices: Naval Ministry of Japan
  • Movie organization: Kiichiro Kumaki
  • Script, Choreography, and Direction: Mitsuyo Seo
  • Shadow play: Kenzo Masaoka
  • Musical direction: Yuji Koseki
  • Lyrics: Hachiro Sato
  • Film Editor: Pauvre Pierrot
  • Distributed by Scalera Film Coporation Inc.

Evil Mickey attacks Japan (Omocha-Bako Series, Dai-3-Wa: Ehon 1936) - A 1936 japanese animation

Nel 1936 venne prodotto questo film di propaganda anti-americana che trasforma in personaggi cattivi alcuni tipici "characters" buoni dei cartoons a stelle e strisce.

"Toy Box Series, Episode 3: Picture Book 1936" (Omocha-Bako Series, Dai-3-Wa: Ehon 1936) is a 1934 propaganda-ish film about a future (1936) conflict started by a swarm of evil, bat-riding Mickey Mouse clones that descend on a tiny island inhabited by peace-loving dolls and cats (including a Felix lookalike). Overwhelmed by the attack, the desperate island residents bang on the cover of a large picture book to enlist the help of MomotaroUrashima Taro (the Japanese version of Rip Van Winkle), and other traditional fairy tale heroes and characters. After Urashima Taro uses his famous "mystery box" to turn the big Mickey into a decrepit old fogey, Hanasaka Jiisan makes the cherry trees bloom and the cats and dolls celebrate by dancing to "Tokyo Ondo" (an old Japanese folk song). The soundtrack also includes renditions of the Momotaro song and Gunkan March("Warship March"), a song that is nowadays typically played at pachinko parlors.




Rain Town - Hiroyasu Ishida [2011]

- See also the article in this blog by Animenokaze -

In this town, since who knows when, rain has never stopped.
Residents moved out to suburbs and high ground around
"rain town."
People's memories are now deeply submerged.
But into this forgotten rainy town
sometimes, someone wanders.

Graduation film a Kyoto Seika University.

楽曲提供 小松正史 /「Old Capital」「Candle」http://www.nekomatsu.net